The “Amargosa Opera House” exterior in Death Valley Junction, California. McClintock’s vision is to live and share her art and hopes to inspire others to do the same. She grew up to become a dancer herself and was drawn back to the desert to perform. Jenna McClintock was six when she first visited Amargosa. Becket gave her last performance in 2012 and passed away in 2017 at age 92, her legacy continues thanks to another ballerina. Over the years, the opera house attracted larger audiences and became a quirky, cultural destination in the middle of the desert. “Amargosa House Opera” interior space decoration detail, Death Valley Junction, California. It took her six years to finish painting the walls and ceiling. To make sure she always had a packed house though, one year she decided to paint the walls with murals of theatergoers. Marta Becket performing at the “Amargosa Opera House.”Īt first, she was performing mostly for herself and maybe a handful in the audience. Becket debuted her first show on February 10, 1968.
Becket peeked through a hole in the back door, she immediately envisioned a theater of her own.Īlthough the building was in disrepair, she and her husband rented the property the next day for $45 a month and renamed it the “ Amargosa Opera House.” After months of fixing up the building, Ms. One building seemed to be calling her in particular, an old miners’ hall that had been built by Pacific Coast Borax Company in the 1920s. New York City ballerina and Broadway dancer Marta Becket was camping with her husband in Death Valley, California when their trailer got a flat, sending them to Death Valley Junction for service.Īs the tire was being repaired, Marta Becket wandered through the town.
In 1967, a few miles from the California-Nevada border, a flat tire changed the trajectory of an artist’s career and life. The “Amargosa Opera House” interior space, Death Valley Junction, California.
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